LILIAN BECKET ANGELONE


Lily Angelone (she/her) is a visual anthropologist and multimedia artist particularly curious about the porous boundaries between human and more-than-human worlds. Drawing on multispecies anthropology, feminist new materialism and the concept of trans-corporeality (Alaimo) her practice foregrounds the permeability of bodies with our environment and examines how disgust, desire and sensory attention operate as boundary making forces, as well as openings, to more ethical relationships and ways of living with other species.

Additionally, Lily has experience in  event direction and curation in both film and electronic music and loves to help create spaces that centre playfulness and experimentation.



Education 

MA Visual Anthropology

Goldsmiths University of London
Sept 2024 – Sept 2025


BA Social Anthropology & Art History

University of St Andrews
Sept 2019– July 2023


CONTACT

lilyangelone15@gmail.com

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1. HUNT FOR THE MALWODEN - 2024

What does it mean to make kin with beings we are taught to revile? Hunt for the Malwoden is a meditation on kinship, disgust and abjection considering the garden as a multispecies “contact zone” and the slug as the figure of the unloved.




2. Szentek Music & Arts Festival - 2019-2023 
   Creative Director 
Szentek is a non-profit junk art and electronic music project centring playfulness and experimentaion. Starting out in 2016 as a DIY party, Szentek has grown to host worldwide known talent including Choas and the CBD, Angel D’Lite, Eclair Fifi, Ketia and more. Hosting more than 1200 guests per annum in events, Szentek has donated over £45k for Variety Scotland since its inception.






3. PILOT MAGAZINE - 2023 
   Contributing artist     

Terra Incognita takes shape as a coffee table book composed of three screen-printed craft-cardboard covers, bound together with a custom dual metal coil system that holds a photo book on one side and corresponding stories on the other. Filled with 112 high-quality riso and gloss printed 260mm x 185mm pages, it features a rich collection of articles, photography, poems, and interviews, and includes illustrations by artist-tattooist Mika Schneck. With contributions from creatives around the world, the issue invites interactive reflection through unique participatory sections. The phrase “terra incognita,” first used by the Egyptian scholar Ptolemy to mark uncharted regions on ancient maps, symbolizes the awareness of knowledge’s limits — an admission of the unknown. 

In Issue 04, we pay homage to that idea as a ferocious act of mysticism, celebrating pockets of culture and self that resist definition. Featuring creators’ fearless explorations of sound, sport, craft, and community, Terra Incognita challenges you to immerse yourself completely. These pages, designed to be paired, flipped, or read apart, leave room for your own narratives — threaded together by your hand, as souvenirs of the unseen.





3. Soil chromotography

First pioneered by Russian botanist Mikhail Tsvet, soil chromatography is a visual process that captures the chemical, physical, and biological life of the earth. Through its colours, patterns, and textures, farmers can read the vitality and health of the soil.





4. Phytotypes (”vegetal print”)

Phytotypes are created with a natural emulsion teqnuique where the photosensitive material is derived entirely from nature, using pigments (such as anthocyanins, carotenoids, and flavonoids) extracted from crushed plant matter, mixed with water or alcohol, and coated onto paper to create an image i like to call “plant x-rays.

















6. 35MM Still Imagery